Search Worlds Without End

It starts with Software, where rebel robots bring immortality to their human creator by eating his brain. Software won the first Philip K. Dick Award. In Wetware, the robots decide to start building people--and people get strung out on an insane new drug called merge. This cyberpunk classic garnered a second Philip K. Dick award. By Freeware, the robots have evolved into soft plastic slugs called moldies--and some human "cheeseballs" want to have sex with them. The action redoubles when aliens begin arriving in the form of cosmic rays. And with Realware, the humans and robots reach a higher plateau. Includes an introduction by William Gibson.

It was Cobb Anderson who built the"boppers"--the first robots with real brains. Now, in 2020, Cobb is just another aged "pheezer" with a bad heart, drinking and grooving on the old tunes in Florida retirement hell. His "bops" have came a long way, though, rebelling against their subjugation to set up their own society on the moon. And now they're offering creator Cobb immortality but at a stiff price: his body, his soul... and his world.

In 2030, bopper robots in their lunar refuge have founds a way to infuse DNA wetware with their own software code. The result is a new lifeform: the "meatbop." Fair is fair, after all. Humans built the boppers, now bops are building humans... sort of. It's all part of an insidious plot that's about to ensnare Della Taze--who doesn't think she killed her lover while in drug-induced ecstasy... but isn't sure. And it's certainly catastrophic enough to call Cobb Anderson -- the pheezer who started it all -- out of cold-storage heaven.

The Godfather of cyberpunk--a mad scientist bravely meddling in the outrageous and heretical--Rucker created Bopper Robots, who rebelled against human society in his award-winning classic Software.

Now, in 2953, "moldies" are the latest robotic advancement--evolved artificial lifeforms made of soft plastic and gene-tweaked molds and algae, so anatomically inventive and universally despised that their very presence on the planet has thrown the entire low-rent future into a serious tailspin. So the moon is the place to be, if you're a persecuted "moldie" or an enlightened "flesher" intent an creating a new, more utopian hybrid civilization. Of course up there, there are other intergalactic intelligences to contend with--and some not so intelligent--who have their own agendas and appetites.

This is scientific fabulation at its most brazenly inventive--funny, cutting-edge and deeply informed. No writer alive puts it all together like Rudy Rucker.Artificial life forms made of soft plastic and gene-tweaked mold and algae, moldies are evolved robots in the year 2053--anatomically inventive and universally despised. In a sleazy, low-rent future, sexual fraternization with moldies is strictly taboo--a societal sin that is of no concern whatsoever to Randy Karl Tucker. A Kentucky boy who has seriously strayed from the Heritagist religion1s stern teachings about the evils of artificial life, Randy feels a definite something for Monique, moldie bookkeeper and maid at the Clearlight Terrace Court Motel But Monique1s sudden and inexplicable abduction from the planet--coupled with unsettling revelations about Randy1s own dubious origins--is dragging the degenerate flesher and all those around him into an ugly, conspiratorial mess... even as it pulls an unsuspecting humanity ever-closer to a stunning encounter with intergalactic intelligence.

Gottner doesn't know where his life is. His girlfriend is hooked on merge, a drug used in "bacteria-style" sex. His father has just been swallowed by a hyperspatial anomaly that materialized from a piece of art designed to project images of four-dimensional objects into three-dimensional space. Then, at the funeral, Phil meets and falls in love with Yoke Starr-Mydol, a young lovely visiting from the Moon.

Spuring Phil's advances, Yoke flies to the Polynesian island of Tonga, where she discovers an alien presence at the bottome of the sea. Calling themselves Metamartians, the aliens offer Yoke an alla,a handheld device that gives its owner the power of mind over matter--which, it turns out, is pretty much like having a magic wand.

But as Phil pursues Yoke, and the altruistic Metamartians distribute more allas, he begins to suspect that his father's disappearance and presumed death are linked to the aliens and their miraculous gift. For it seems that the allas are accompanied by a fourth-dimensional entity known as Om, a godlike being who's taken a special interest in humans. Now Phil and Yoke must solve the mystery of the Metamartians and their god, before humanity uses its newfound powers to destroy itself altogether.