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Ian Watson


The Embedding

The Embedding

Masters of Science Fiction: Book 13

Ian Watson

Ian Watson's brilliant debut novel was one of the most significant publications in British SF in the 1970s. Intellectually bracing and grippingly written, it is the story of three experiments in linguistics, and is driven by a searching analysis of the nature of communication. Fiercely intelligent, energetic and challenging, it immediately established Watson as a writer of rare power and vision, and is now recognized as a modern classic.

Miracle Visitors

Miracle Visitors

Masters of Science Fiction: Book 15

Ian Watson

An unusually brilliant and mind-stretching metaphysical quest from one of the most exciting talents in science fiction.

John Deacon uses hypnosis to help his patients reach altered states of consciousness. One of his subjects, Michael Peacocke, is unusually susceptible and in their first session together, Michael recalls a "close encounter"--in both senses of the term--with an alien. Deacon, skeptical of the story, dismisses it as an adolescent sexual fantasy. But then strange things begin to happen and Deacon is forced to reconsider. Could UFOs be symbols projected from the collective unconscious? Are they messages from the biomatrix? Does the mind have the ability to project objects and people that are physically real...yet somehow illusory?

A wonderfully fascinating, mind-bending voyage.

Chekhov's Journey

Chekhov's Journey

Masters of Science Fiction: Book 21

Ian Watson

In 1890 the Russian author Chekhov undertook an historic journey across Siberia to the convict island of Sakhalin. A hundred years later, in an isolated artist's retreat, a Soviet film unit prepares to commemorate his journey by using a technique that will cause their chosen actor to not only play the role of the playwright, but to believe that he is Chekhov. But the situations Mikhail acts out diverge wildly from known biographical facts when Chekhov hears of an explosion in the Tunguska region of Siberia. Yet the real Tunguska explosion occurred in 1908 - so how could Chekhov have possible heard of it in 1890?

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