The Way of Kings

With three hours left on the audiobook and constant interruptions at work where I usually listen to my audiobooks, bookflail happened.

I got through the work day, running home to read the rest because the narrators just weren't reading fast enough, dammit! I now am suffering from severe book hangover, knowing that I have to wait until March 4, 2014 to find out what happens next in Words of Radiance. You'd think with all this, that I'd throw all the stars at this book, but I had to deliberate on that a bit. My bookflail showed up in the last 200 pages of a massive book. But I'm just not sure I could have made it through the first 3/4 if I'd not opted to listen to the audiobook.

The world Sanderson has built is immense and his lore covers everything from fashion, to theology, to weather, to magic, to politics, and more. A lot more. A. LOT. MORE. It is incredibly impressive, but the interjection of lore building exposition and flashbacks became disruptive after a while. It is evident that Sanderson has this entire world perfectly detailed in his head, and he seems determined to make sure the reader sees it exactly as he does by including full descriptions of even the smallest element, rather than allowing the reader to use a bit more of their own imagination.

Considering the intended length of the series, weighing in at twenty books, I assume the information dumps will become less of an issue as it progresses (save it for the wiki, please). And fortunately the lore influx is also balanced by the depth of the characters, which is what helped me pull through. In other epic fantasies, you don't really get to know the characters, and in some cases you can't even tell them apart. Here, there is as much time spent with the development of the major characters and the supporting cast important to them. Perhaps more of Kaladin's backstory is told than is necessary, but I can excuse this because of how vivid and interesting the character is, such that you actually come to care about him and the others, rather than merely liking him because he's cool.

The audiobook was read by Michael Kramer and Kate Reading, the same people who narrated Robert Jordan's unimpressive The Eye of the World, which inspired my post on epic storytelling for the sake of epicness. With this in mind, I should have been daunted by this book's information overload and the twenty book series, but this is Brandon Sanderson. I've actually only read 2.1 books by him (though I own several) and completely subscribe to the well-earned hype. His world building *is* truly amazing. His unique and varied approach to the use of magic in each of his stories is fascinating (in the case of Warbreaker, it's specifically what attracted me). And his characters are very real and very endearing. If Sanderson gets carried away sometimes with too much lore, I can forgive him because it feels like him eagerly inviting you into his head, rather than him just unnecessarily padding out a book and/or killing time till he figures out what the story is supposed to do next.

As for the story itself, it was really impressive. A pointless war for vengeance against is at the heart of everything, with mysteries stemming from this core in all directions. The last 200 pages of the book are so intense because those vines of mystery, along with all of these intriguing characters, start to come together in the end, creating all new mysteries that demand you to continue the journey.